We will be working both independently and together throughout the term. The singular goal of the design of the class is to allow you the freedom to pursue an aspect of critical digital pedagogy that's most germane to your work in the world or in academia.
This Schedule is the path we'll take to the end of the semester, and the end of the semester culminates in your final project. So, as you're going along, keep that in mind.
Important Dates
- February 6-April 2: Sign up for Take the Podium Blog post
- February 26: Submit Research proposal
- March 12: Submit Mid-term self-evaluation
- April 24-30: Submit final project
- May 12: Submit final self-evaluation
[Link to Spring Academic Calendar]
[Assignments are also listed in Canvas to mark completion of each assignment.]
Unit 1: January 17-February 5 | Foundations
Stuff to do:
Slack: Accept your invitation to Slack and say hello in the #bios-introductions channel. Also, use the #discuss-unit1-foundation channel to respond to the reading you're doing. Especially, reflect on Freire's notion of an epistemological relationship to reality, or the idea of "reading our world." You may also want to reflect right off the bat on the relationship between critical pedagogy and digital education.
Catfish on Thursday, February 9 @ 7pm (MT): We need to set the date for our first film viewing. If you are able, join in our synchronish viewing of Catfish. This viewing will take place in your own home on your own screen, and all of us watching will start at approximately the same time. During the movie, we'll jump into Slack to discuss the movie as we watch. (If you are not able to join, don't worry: we will be doing similar viewings throughout the term, and you can also always join in the conversation after the fact.)
Recommended readings:
We begin with an examination of the foundations of critical pedagogy and critical digital pedagogy. I consider these readings important to understanding the approach we're exploring this semester.
- bell hooks, "Introduction and Chapter 1," Teaching to Transgress.
- Paulo Freire, "Chapter Two," Pedagogy of the Oppressed.
- James Baldwin, "A Talk to Teachers."
- Jesse Stommel and Sean Michael Morris, "Critical Digital Pedagogy: A Definition."
- Henry Giroux, "Rethinking Education as the Practice of Freedom: Paulo Freire and the Promise of Critical Pedagogy."
- Sean Michael Morris, "Teaching in our Right Minds: Critical Digital Pedagogy and the Response to the New."
- Randall Everett Allsup,"Praxis and the Possible: Thoughts on the Writings of Maxine Greene and Paulo Freire."
- Film: "Catfish." (2010) $3.99 on Amazon.
Unit 2: February 6 - March 12 | Posing Problems
For the next four weeks, we will be exploring four areas of particular interest to critical digital pedagogy: Diversity, Equity, Antiracism; The State of School; Privacy and Surveillance; and Classroom Practice.
Stuff to do:
Take the Podium: This is your opportunity to make a presentation to the class. Please select a date for your presentation on this document. Then, compose a short blog post (500-1000 words) to publish on the class website. Two days before your post deadline, please post your text draft within our ghost site and we will publish the blog post for you. Topics can vary, but you may want to consider writing on:
- Your definition or understanding of critical digital pedagogy
- A response to one of the films we'll be watching
- A response to a reading from Unit 2 or 3 depending on when you sign up
- Your thoughts on any of the four areas of focus for Unit 2 or 3
- An update on your research
- Anything else that feels relevant or important that you wish to communicate to the class
Ghost authorship: Accept your invite to contribute to the ghost blog site so that you may post your draft a couple of days before your deadline.
Guidance and a few past examples are offered on the Take-the-Podium page.
Project Proposal: On or before February 26, please write up your project proposal and send it to Dr. Montoya and Dr. Summers via Slack DM or through the Canvas assignment link. For more information about the proposal, see the Final Project description or reach out to me with questions. To prepare for your project proposal, you may want to browse the Bibliography and look for ideas that pique your interest. Keep in mind that you will most likely shift, alter, or change entirely the subject of your research as you work over the next few weeks—and that's fine. The proposal is really just the opening of a conversation between you and this subject matter.
Mid-term Self-evaluation/Reflection: Sometime before March 12, please send us (Dr. Montoya & Dr. Summers) your first self-evaluation via private message in Slack or through the assignment link in Canvas. You can use any format you like, but please be sure to include your thoughts about:
- What does participation mean for you in a class like this? How do you measure your own participation?
- How is your research going? Do you have any questions or concerns at this point?
- What grade would you give yourself at this point in the semester, and why?
We don't normally respond to self-evaluations, as we don't want to write my voice over yours. However, if you would like a response, please let us know.
Slack: Continue to use Slack as a place to discuss readings, insights, and your own research. Also be sure to share resources you've discovered in the #resources channel.
Movies: If you are able, join in our synchronish viewing of the movies below. Viewings will take place in your own home on your own screen, and all of us watching will start at approximately the same time. During the movies, we'll jump into Slack to discuss the movie as we watch. You are not expected to make it to all (or any) of these viewings—they are optional.
- March 2 @ 7 pm (Mountain): Race to Nowhere
- March 28 @ 7pm (Mountain): Stolen Education
Recommended reading (by category):
Please do not read all of the readings below, but rather engage in the way that feels right for you. Here are a couple of options:
- First, you could work through the readings by category, selecting the readings that seem right for you, pulling from the bibliography, or finding additional resources.
- Second, you could choose the category that has the most relevance to your final project and dive into these and other readings.
Diversity, Equity, Antiracism
- PBS LearningMedia, "Using Media to Know Better, Teach Better | Tools for Anti-Racist Teaching."
- Nayantara Sheoran Appleton, "Do Not ‘Decolonize' . . . If You Are Not Decolonizing: Progressive Language and Planning Beyond a Hollow Academic Rebranding."
- Sava Saheli Singh, “The Fallacy of ‘Open’."
- Eve Tuck and K. Wayne Yang, “Decolonization is not a metaphor."
- EDUCAUSE, Diversity, Equity, and Inclusion (DEI).
- Jamara Wakefield, “Want to talk reparations? Let’s start by decolonizing higher education."
- Film: Unlikely. (2019) $3.99 on Amazon
The State of School
- Tressie McMillan Cottom, "Academic Outrage: When The Culture Wars Go Digital."
- Audrey Watters, “The Weaponization of Education Data.”
- "Our Failing Schools. Enough is enough!" TEDtalks Education, by Geoffrey Canada.
- Sara Goldrick-Rab, "It’s Hard to Study if You’re Hungry."
- Sean Michael Morris, “Not Enough Voices."
- bell hooks, Teaching to Transgress, Chapter 12: Confronting Class in the Classroom.
- Film: Hungry to Learn. (2019) Yahoo. (No longer free or accessible at this time; information about the film can still be read.)
- Film: Operation Varsity Blue. (2021)
Privacy and Surveillance
- Safiya Umoja Noble and Sarah T. Roberts, "Engine Failure."
- Tressie McMillan Cottom, "Digital Redlining After Trump: Real Names + Fake News on Facebook."
- Chris Gilliard, "Digital Redlining, Access, and Privacy."
- Chris Gilliard, "Pedagogy and the Logic of Platforms."
- Elana Zeide, "The Structural Consequences of Big Data-Driven Education."
- David Streitfeld, "Teacher Knows if You’ve Done the E-Reading."
- Film: Coded Bias. (2020) Netflix
Classroom Practice
- Kris Shaffer, "Truthy Lies & Surreal Truths" A Plea for Critical Literacy."
- Lee S. Shulman, "Pedagogies of Uncertainty."
- Zeynep Tufekci, "The Looming Digital Meltdown."
- Jesse Stommel, “Why I Don’t Grade” and “How to Ungrade.”
- Alfie Kohn, “The Case Against Grades” and “The Trouble with Rubrics.”
- Robin DeRosa, “My Open Textbook Pedagogy and Practice.”
- Lisa Petrides, Douglas Levin, and C. Edward Watson, “Toward a Sustainable OER Ecosystem: The Case for OER Stewardship.”
- Seymour Papert, “Hard Fun."
- Bryan Alexander, The New Digital Storytelling, “Storytelling for the Twenty-First Century."
- Film: American Teacher. (2020). $2.99 on Amazon
- Film: Race to Nowhere. (2010). $3.99 on Amazon
Unit 3: March 13 - April 16 | Reflection
For the next four weeks, we will spend some time reflecting. Plus take spring break, March 20 - 26.
Stuff to do:
Take the Podium continued.
Slack: Continue to use Slack as a place to discuss readings, insights, and your own research. Discuss, question, ponder, and wonder within the #unit 3 slack channel.
Movies: If you are able, join in our synchronish viewing of the movies below. Viewings will take place in your own home on your own screen, and all of us watching will start at approximately the same time. During the movies, we'll jump into Slack to discuss the movie as we watch. You are not expected to make it to all (or any) of these viewings—they are optional.
We will use a doodle poll for the following movies. The doodle poll for these movies will be available in late February.
- March 28 @ 7pm (Mountain): Stolen Education
- April 25 @7pm (Mountain): TBD
Recommended Readings (by category):
Please do not read all of the readings below, but rather engage in the way that feels right for you. Here are a couple of options:
- First, you could work through the readings by category, selecting the readings that seem right for you, pulling from the bibliography, or finding additional resources.
- Second, you could choose the category that has the most relevance to your final project and dive into these and other readings.
Telling Our Stories
- Peter Elbow, "Closing My Eyes as I Speak: An Argument for Ignoring Audience."
- Chris Friend, "Finding My Voice as a Minority Teacher."
- Sean Michael Morris, "Tobacco and Patchouli: Writing about Teaching."
- Katie Rose Guest Pryal, "A Lecturer’s Almanac."
- Jesse Stommel, "Dear Student."
- Ann Pendleton-Jullian and John Seely Brown, “Pragmatic Imagination."
- Film: Stolen Education. (2017) $3.99 on Amazon.
Imagination and Change
- Julie Fellmayer, “Disruptive Pedagogy and the Practice of Freedom."
- bell hooks, Teaching to Transgress: Chapter 1
- Alison James and Stephen D. Brookfield, Engaging Imagination: Chapter 1
- Dan Berret, “Why One Professor Thinks Fun Matters in Learning."
- Elli P. Schachter and Yisrael Rich, “Identity Education: A Conceptual Framework for Educational Researchers and Practitioners."
- Film: PressPausePlay (1998). Vimeo
Leadership
- Dave Snowden, “A Simple Explanation of the Cynefin Framework."
- Soraya Chemaly, “All Teachers Should Be Trained To Overcome Their Hidden Biases.”
- Asao Inoue, "Antiracist Writing Assessment Ecologies: Teaching and Assessing Writing for a Socially Just Future."
- Nick Sousanis, “Opening Learners’ Minds (Interview with Howard Rheingold)."
- Sean Michael Morris, and Jesse Stommel, "A Guide for Resisting Edtech: the Case Against Turnitin."
- Film: Most Likely to Succeed. (2018) $4.99 on Amazon.
Unit 4: April 17 - May 12 | Praxis
Stuff to do:
Final Project: Final projects can be turned in anytime between April 24 - 30. So be sure you're working on finishing up your projects.
If you need or want to meet with eith of us before turning in your work, feel free to reach out or just make an appointment: Please send your final project to us via private message in Slack. Make sure your google or word document allows for commenting access.
Self-evaluation: Sometime before May 13, please send us your final self-evaluation via private message in Slack. You can use any format you like, but please be sure to include your thoughts about:
- What has participation mean for you in this class? How would you measure or evaluate your own participation?
- Talk a bit about your research this semester. What was challenging? What was surprising? Can you now, at least a little bit, think of yourself as a scholar?
- What grade would you give yourself for your work this term, and why?
We don't assume you want us to respond to self-evaluations, as we don't want to write my voice over yours. However, if you would like a response, please let us know when you submit your reflection. Include commenting access to your word or google document.